They lie in casual heaps, these lorn, lost books,
Love lyrics, thrilling tale, historic tome,
Where none but heedless hands and scornful looks
Take notice of their last neglected home.
A soulless publisher has marked them down
To sixpence each, or eight for half a crown.
"Remainders" now, they have outlived their time,
Their publisher has cast them out of sight,
Not spareth he the gentle poet's rhyme,
Nor funny narratives some authors write.
He throws them to the wide, wide world, and eke
The nursemaid's novellete and sage critique.
Here lies "Lord Rudolph's Secret love," and here
"If Maids but Knew," a passionate romance
That drew from fair frail flappers many a tear,
Tossed in with Coffyn's "Sermon's," just by chance.
"Roses of Rapture" and "In Chloe's Day"
(Such daring books!) have gone the self-same way.
Here is a name, the pride of yesterday,
A hundred thousand readers was his score;
His masterpiece, now marked a modest tray,
None but a passing straggler glances o'er.
Best sellers, like poor blokes without a name,
They drop into the basket just the same.
They lie, poor books, neglected, put to rest,
"Remainders," now scarce able to entice,
Though lauded loudly as the last and best.
Reluctant purchasers to risk the price.
This is the end of every author's stocks,
Oblivion in a little dusty box.
First published in The Bulletin, 20 August 1925
Author: Thomas Louis Buvelot Esson (1878-1943) was born in Leith Scotland, and arrived in Australia in 1881. He studied arts at the University of Melbourne but left Australia in 1904. He returned in 1906, enthusiastic about drama. Esson published some poems during his life but was best known for his theatrical works - the annual Victorian Premier's Literary Award for Drama is named after him. He moved to Sydney in the 1930s and died there in 1943.
Author reference sites: Austlit, Australian Dictionary of Biography, Australian Poetry Library
Love lyrics, thrilling tale, historic tome,
Where none but heedless hands and scornful looks
Take notice of their last neglected home.
A soulless publisher has marked them down
To sixpence each, or eight for half a crown.
"Remainders" now, they have outlived their time,
Their publisher has cast them out of sight,
Not spareth he the gentle poet's rhyme,
Nor funny narratives some authors write.
He throws them to the wide, wide world, and eke
The nursemaid's novellete and sage critique.
Here lies "Lord Rudolph's Secret love," and here
"If Maids but Knew," a passionate romance
That drew from fair frail flappers many a tear,
Tossed in with Coffyn's "Sermon's," just by chance.
"Roses of Rapture" and "In Chloe's Day"
(Such daring books!) have gone the self-same way.
Here is a name, the pride of yesterday,
A hundred thousand readers was his score;
His masterpiece, now marked a modest tray,
None but a passing straggler glances o'er.
Best sellers, like poor blokes without a name,
They drop into the basket just the same.
They lie, poor books, neglected, put to rest,
"Remainders," now scarce able to entice,
Though lauded loudly as the last and best.
Reluctant purchasers to risk the price.
This is the end of every author's stocks,
Oblivion in a little dusty box.
First published in The Bulletin, 20 August 1925
Author: Thomas Louis Buvelot Esson (1878-1943) was born in Leith Scotland, and arrived in Australia in 1881. He studied arts at the University of Melbourne but left Australia in 1904. He returned in 1906, enthusiastic about drama. Esson published some poems during his life but was best known for his theatrical works - the annual Victorian Premier's Literary Award for Drama is named after him. He moved to Sydney in the 1930s and died there in 1943.
Author reference sites: Austlit, Australian Dictionary of Biography, Australian Poetry Library
