
"I heard someone once say, 'You must feel different now that you've moved to the big pool from the toddler pool,' " she says of her change of form. "I quite bridled at this because I don't think the short story is a toddler pool. In a way it is more like the beautiful diving pool - it's not the shallow pool, it's the smaller pool that takes a lot of practice to do the one entry perfectly."
The novel required new techniques - more complex structuring, multiple viewpoints and more introspection from the characters. "I did feel I had all this space to swim around in," she says, "and I wanted to make sure I was as careful with each of the scenes or fragments as I am with a short story, because the amazing thing with a short story is you have nowhere to hide."
Kerryn Goldsworthy has further things to say about this book, and this quote, on her weblog "Australian Literature Diary".